神戸大学附属図書館デジタルアーカイブ
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https://doi.org/10.24546/81010141
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2024-07-17
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81010141 (fulltext)
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メタデータID
81010141
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open access
出版タイプ
Version of Record
タイトル
パンチ&ジュディ演者の歴史と活動 : 「不変の遺産」か「生ける伝統」か
その他のタイトル
History and Activities of Punch and Judy Performers : "Unchanging Heritage" or "Living Tradition"
著者
著者名
平野, 惟
言語
Japanese (日本語)
収録物名
国際文化学
Intercultural Studies Review
巻(号)
31
ページ
132-151
出版者
神戸大学大学院国際文化学研究科
刊行日
2018-03-20
公開日
2018-03-20
抄録
This paper will detail how the Punch and Judy puppet show, popularized in Victorian London, became a British traditional entertainment. In addition, how its puppeteers answered to this expectation is formulated through the testimonies and articles about the puppeteers who performed these events. By the second half of the nineteenth century, itinerant professional showmen began passing on their skills and tradecraft to family members. They inherited puppets, pitches, and locations with longtime spectators who had grown up watching the show. This made Punch and Judy a common memory of family vacations taken in childhood, which strengthened the bond of families and ties to seaside towns. As time went on, especially after the first World-War, and through the inter war and subsequent post war period, this family bonding through shared experience of Punch and Judy grew nation wide. The Punch and Judy show became fixed into the national consciousness, an “ancient British tradition” detailed in the publication of the first monograph about its history by George Speaight and in the “tercentenary ceremony”. In the latter half of twentieth century, Punch and Judy puppeteers began to organize their own groups like PJF and College. These activities seem to be the refutation of puppeteers, to the recognition of Punch and Judy as an “unchanging heritage”.
カテゴリ
国際文化学
>
31号(2018-03-20)
紀要論文
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http://web.cla.kobe-u.ac.jp/kbkjnl
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資源タイプ
departmental bulletin paper
eISSN
2187-2082
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